Showing posts with label comic. Show all posts
Showing posts with label comic. Show all posts

Thursday, 7 April 2011

All in One of Film Industry

Jackie Chan, SBS, MBE[2] (born Chan Kong-sang, 陳港生; 7 April 1954) is a Hong Kong[3] actor, action choreographer, filmmaker, comedian, director, producer, martial artist, screenwriter, entrepreneur, singer and stunt performer.

In his movies, he is known for his acrobatic fighting style, comic timing, use of improvised weapons, and innovative stunts. Jackie Chan has been acting since the 1960s and has appeared in over 100 films. Chan has received stars on the Hong Kong Avenue of Stars and the Hollywood Walk of Fame.

As a cultural icon, Chan has been referenced in various pop songs, cartoons, and video games. Chan is also a Cantopop and Mandopop star, having released a number of albums and sung many of the theme songs for the films in which he has starred.

Early life

Chan was born on 7 April 1954, in Victoria Peak, in the former Crown colony of Hong Kong, as Chan Kong-sang to Charles and Lee-Lee Chan, refugees from the Chinese Civil War. He was nicknamed Paopao (Chinese: 炮炮, literally meaning "Cannonball") because the high-energy child was always rolling around. Since his parents worked for the French Consul to Hong Kong, Chan spent his formative years within the grounds of the consul's residence in the Victoria Peak district.

Chan attended the Nah-Hwa Primary School on Hong Kong Island, where he failed his first year, after which his parents withdrew him from the school. In 1960, his father immigrated to Canberra, Australia, to work as the head cook for the American embassy, and Chan was sent to the China Drama Academy, a Peking Opera School run by Master Yu Jim-yuen. Chan trained rigorously for the next decade, excelling in martial arts and acrobatics. He eventually became part of the Seven Little Fortunes, a performance group made up of the school's best students, gaining the stage name Yuen Lo in homage to his master. Chan became close friends with fellow group members Sammo Hung and Yuen Biao, the three of them later to be known as the Three Brothers or Three Dragons.

At the age of 8, he appeared with some of his fellow "Little Fortunes," in the film Big and Little Wong Tin Bar (1962), with Li Li Hua playing his mother. Chan appeared with Li again the following year, in The Love Eterne (1963) and had a small role in King Hu's 1966 film, Come Drink with Me.[9] In 1971, after an appearance as an extra in another Kong Fu film, A Touch of Zen, Chan began his adult career in the film industry, initially signing to Chu Mu's Great Earth Film Company.[10] At the age of 17, he worked as a stuntman in the Bruce Lee films Fist of Fury and Enter the Dragon under the stage name Chan Yuen Lung (Chinese: 陳元龍).[11] He received his first starring role later that year, in Little Tiger of Canton, which had a limited release in Hong Kong in 1973. Due to the commercial failures in his early ventures into films and trouble finding stunt work, in 1975 Chan starred in a comedic adult film, All in the Family, which features Jackie Chan's first and possibly only nude sex scene filmed to date. It is also the only film he has made to date that did not feature a single fight scene or stunt sequence.

Chan joined his parents in Canberra in 1976, where he briefly attended Dickson College and worked as a construction worker. A fellow builder named Jack took Chan under his wing, earning Chan the nickname of "Little Jack" which was later shortened to "Jackie" and the name Jackie Chan stuck with him ever since. In addition, in the late 90s, Chan changed his Chinese name to Fong Si-lung (Chinese: 房仕龍), since his father's original surname was Fong.

Film career

Early exploits: 1976–1979

Jackie Chan began his film career as a stuntman in the Bruce Lee films Fist of Fury (1972) and Enter the Dragon (1973, pictured).

In 1976, Jackie Chan received a telegram from Willie Chan, a film producer in the Hong Kong film industry who had been impressed with Jackie's stuntwork. Willie Chan offered him an acting role in a film directed by Lo Wei. Lo had seen Chan's performance in the John Woo film Hand of Death (1976) and planned to model him after Bruce Lee with the film New Fist of Fury. His stage name was changed to Sing Lung (Chinese: 成龍, also transcribed as Cheng Long,literally "become the dragon") to emphasise his similarity to Bruce Lee, whose stage name was Lei Siu-lung (Chinese: 李小龍, meaning "Little Dragon"). The film was unsuccessful because Chan was not accustomed to Lee's martial arts style. Despite the film's failure, Lo Wei continued producing films with similar themes, resulting in little improvement at the box office.

Chan's first major breakthrough was the 1978 film Snake in the Eagle's Shadow, shot while he was loaned to Seasonal Film Corporation under a two-picture deal.[18] Under director Yuen Woo-ping, Chan was allowed complete freedom over his stunt work. The film established the comedic kung fu genre, and proved to be a breath of fresh air for the Hong Kong audience. Chan then starred in Drunken Master, which finally propelled him to mainstream success.

Upon Chan's return to Lo Wei's studio, Lo tried to replicate the comedic approach of Drunken Master, producing Half a Loaf of Kung Fu and Spiritual Kung Fu. He also gave Chan the opportunity to co-direct The Fearless Hyena with Kenneth Tsang. When Willie Chan left the company, he advised Jackie to decide for himself whether or not to stay with Lo Wei. During the shooting of Fearless Hyena Part II, Chan broke his contract and joined Golden Harvest, prompting Lo to blackmail Chan with triads, blaming Willie for his star's departure. The dispute was resolved with the help of fellow actor and director Jimmy Wang Yu, allowing Chan to stay with Golden Harvest.

Success of the action comedy genre: 1980–1987

The film Police Story, nicknamed "Glass Story" for its stunt work, is set in a modern period.

Willie Chan had become Jackie's personal manager and firm friend, and has remained so for over 30 years. He was instrumental in launching Chan's international career, beginning with his first forays into the American film industry in the 1980s. His first Hollywood film was Battle Creek Brawl in 1980. Chan then played a minor role in the 1981 film The Cannonball Run, which grossed US$100 million worldwide. Despite being largely ignored by audiences in favour of established American actors like Burt Reynolds, Chan was impressed by the outtakes shown at the closing credits, inspiring him to include the same device in his future films.

After the commercial failure of The Protector in 1985, Chan temporarily abandoned his attempts to break into the US market, returning his focus to Hong Kong films.

Back in Hong Kong, Chan's films began to reach a larger audience in East Asia, with early successes in the lucrative Japanese market including The Young Master (1980) and Dragon Lord (1982). The Young Master went on to beat previous box office records set by Bruce Lee and established Chan as Hong Kong cinema's top star.

Chan produced a number of action comedy films with his opera school friends Sammo Hung and Yuen Biao. The three co-starred together for the first time in 1983 in Project A, which won the Best Action Design Award at the third annual Hong Kong Film Awards.[22] Over the following two years, the "Three Brothers" appeared in Wheels on Meals and the original Lucky Stars trilogy. In 1985, Chan made the first Police Story film, a US-influenced action comedy in which Chan performed his own stunts. It was named the "Best Film" at the 1986 Hong Kong Film Awards. In 1987, Chan played "Asian Hawk," an Indiana Jones-esque character, in the film Armour of God. The film was Chan's biggest domestic box office success up to that point, grossing over HK $35 million.

Acclaimed sequels and Hollywood breakthrough: 1988–1998

Chan in his Hollywood breakthrough film Rumble in the Bronx.

In 1988 Chan starred alongside Sammo Hung and Yuen Biao for the last time to date, in the film Dragons Forever. Hung co-directed with Corey Yuen, and the villain in the film was played by Yuen Wah, both of whom were fellow graduates of the China Drama Academy.

In the late 1980s and early 90s, Chan starred in a number of successful sequels beginning with Police Story 2, which won the award for Best Action Choreography at the 1989 Hong Kong Film Awards. This was followed by Armour of God II: Operation Condor, and Police Story 3: Super Cop, for which Chan won the Best Actor Award at the 1993 Golden Horse Film Festival. In 1994, Chan reprised his role as Wong Fei-hung in Drunken Master II, which was listed in Time Magazine's All-Time 100 Movies. Another sequel, Police Story 4: First Strike, brought more awards and domestic box office success for Chan, but did not fare as well in foreign markets.[28] Jackie Chan rekindled his Hollywood ambitions in the 1990s, but refused early offers to play villains in Hollywood films to avoid being typecast in future roles. For example, Sylvester Stallone offered him the role of Simon Phoenix, a criminal in the futuristic film Demolition Man. Chan declined and the role was taken by Wesley Snipes.

Chan finally succeeded in establishing a foothold in the North American market in 1995 with a worldwide release of Rumble in the Bronx, attaining a cult following in the United States that was rare for Hong Kong movie stars. The success of Rumble in the Bronx led to a 1996 release of Police Story 3: Super Cop in the United States under the title Supercop, which grossed a total of US $16,270,600. Jackie's first huge blockbuster success came when he co-starred with Chris Tucker in the 1998 buddy cop action comedy Rush Hour grossing US$130 million in the United States alone. This film made a star of Jackie Chan, in Hollywood. As a publicity stunt, Jackie also wrote his autobiography in collaboration with Jeff Yang entitled I Am Jackie Chan.

Dramatization and fame in Hollywood: 1999–2007

Jackie Chan plays an anti-hero for the first time in Rob-B-Hood: a burglar with gambling problems.

In 1998, Chan released his final film for Golden Harvest, Who Am I? After leaving Golden Harvest in 1999, he produced Gorgeous, a romantic comedy that focused on personal relationships. Chan then helped create a PlayStation game in 2000 called Jackie Chan Stuntmaster, to which he lent his voice and performed the motion capture.

Despite further success with Shanghai Noon in 2000, Rush Hour 2 in 2001 and Shanghai Knights and The Medallion in 2003, Chan became frustrated with Hollywood over the limited range of roles and lack of control over the film-making process. In response to Golden Harvest's withdrawal from the film industry in 2003, Chan started his own film production company, JCE Movies Limited (Jackie Chan Emperor Movies Limited) in association with Emperor Multimedia Group (EMG). His films have since featured an increasing number of dramatic scenes while continuing to succeed at the box office; examples include New Police Story (2004), The Myth (2005) and the hit film Rob-B-Hood (2006).

Chan's next release was Rush Hour 3 in August 2007. It grossed US$255 million. However, it performed poorly in Hong Kong, grossing only HK$3.5 million during its opening weekend.

New experiments and change in style: 2008–present

As Chan had stated years before, there would be a point in his life in which he would have to be modernized and use special effects, and try new different things than martial arts flicks. This began in 2007, with the filming of The Forbidden Kingdom (released in 2008), Chan's first onscreen collaboration with fellow Chinese actor Jet Li, which was completed on 24 August 2007 and the film was released in April 2008. The film featured heavy use of effects and wires. Chan voiced the character Master Monkey in the DreamWorks Animation film, Kung Fu Panda, released in June 2008, appearing with stars Jack Black, Dustin Hoffman and Angelina Jolie.In addition, he has assisted Anthony Szeto in an advisory capacity for the writer-director's film Wushu, released on 1 May 2008. The film stars Sammo Hung and Wang Wenjie as father and son.

In November 2007, Chan began filming Shinjuku Incident, a dramatic role featuring no martial arts sequences with director Derek Yee, which sees Chan take on the role of a Chinese immigrant in Japan. The film was released on 2 April 2009. According to his blog, Chan discussed his wishes to direct a film after completing Shinjuku Incident, something he has not done for a number of years. The film is expected to be the third in the Armour of God series, and has a working title of Armour of God III: Chinese Zodiac. Chan originally stated that he would start filming on 1 April 2008, but that date had passed and the current state of the film is unknown. Because the Screen Actors Guild did not go on strike, Chan started shooting his next Hollywood movie The Spy Next Door at the end of October in New Mexico. In The Spy Next Door, Chan plays an undercover agent whose cover is blown when he looks after the children of his girlfriend; Chan most likely did the film to appeal to his younger audience in America. In Little Big Soldier, Chan stars, alongside Leehom Wang in a non-martial arts comedy movie based on the Warring States Period.

On 22 June 2009, Chan left Los Angeles to begin filming The Karate Kid, a remake of the 1984 original, in Beijing. The film was released in America on 11 June 2010 and sees Chan's first dramatic American film. In the film, he plays Mr. Han, a kung fu master and maintenance man who teaches Jaden Smith's character, Dre, kung-fu so he can defend himself from school bullies. In Chan's next movie, Shaolin, he plays the cook of the temple instead of one of the major characters.

Jackie Chan's 100th film "1911" will be released in October 2011. He is both the co-director and star of the movie.

Stunts

Jackie Chan prepares to slide down the side of a high rise building in New Police Story

Jackie Chan performs most of his own stunts, which are choreographed by the Jackie Chan Stunt Team. He has stated in interviews that the primary inspiration for his more comedic stunts were films such as The General directed by and starring Buster Keaton, who was also known to perform his own stunts. Since its establishment in 1983, Chan has used the team in all his subsequent films to make choreographing easier, given his understanding of each member's abilities. Chan and his team undertake many of the stunts performed by other characters in his films, shooting the scenes so that their faces are obscured.

The dangerous nature of his stunts makes it difficult for Chan to get insurance, especially in the United States, where his stunt work is contractually limited. Chan holds the Guinness World Record for "Most Stunts By A Living Actor", which emphasizes "no insurance company will underwrite Chan's productions, in which he performs all his own stunts". In addition, he holds an unrecognised record for the most number of takes for a single shot in a film, having shot over 2900 retakes for a complex scene involving a Jianzi game in Dragon Lord.

Chan has been injured numerous times attempting stunts; many of them have been shown as outtakes or as bloopers during the closing credits of his films. He came closest to death filming Armour of God, when he fell from a tree and fractured his skull. Over the years, Chan has dislocated his pelvis and broken his fingers, toes, nose, both cheekbones, hips, sternum, neck, ankle and ribs on numerous occasions. Promotional materials for Rumble in the Bronx emphasized that Chan performed all of the stunts, and one version of the movie poster even diagrammed his many injuries.

Filmography and screen persona

Jackie Chan at the 2008 Cannes Film Festival.

Jackie Chan created his screen persona as a response to Bruce Lee, and the numerous imitators who appeared before and after Lee's death. In contrast to Lee's characters, who were typically stern, morally upright heroes, Chan plays well-meaning, slightly foolish regular guys (often at the mercy of their friends, girlfriends or families) who always triumph in the end despite the odds. Additionally, Chan has stated that he deliberately styles his movement to be the opposite of Lee's: where Lee held his arms wide, Chan holds his tight to the body; where Lee was loose and flowing, Chan is tight and choppy. Despite the success of the Rush Hour series, Chan has stated that he is not a fan of it since he neither appreciates the action scenes in the movie, nor understands American humour.

In recent years, the aging Chan grew tired of being typecast as an action hero, prompting him to act with more emotion in his latest films. In New Police Story, he portrayed a character suffering from alcoholism and mourning his murdered colleagues. To further shed the image of Mr. Nice Guy, Chan played an anti-hero for the first time in Rob-B-Hood starring as Thongs, a burglar with gambling problems.

Television work

The title card of his own animated series.

In 2000, Chan hosted a fictionalised version of himself in the animated series Jackie Chan Adventures, which ran until 2005.

In July 2008, the BTV reality television series entitled The Disciple (simplified Chinese: 龙的传人; traditional Chinese: 龍的傳人, lit. "Disciple of the Dragon") concluded. The series was produced by, and featured Jackie Chan. The aim of the program was to find a new star, skilled in acting and martial arts, to become Chan's "successor" and student in filmmaking. Contestants were trained by Jackie Chan Stunt Team members Alan Wu and He Jun and competed in various fields, including explosion scenes, high-altitude wire-suspension, gunplay, car stunts, diving, obstacles courses etc. The regular judges on the program were He Ping, Wu Yue and Cheng Pei Pei. Guest judges include Stanley Tong, Sammo Hung and Yuen Biao. The "Finals" began on 5 April 2008, with 16 contestants remaining, and concluded on 26 June 2008. Amongst those in attendance were Tsui Hark, John Woo, Ng See Yuen and Yu Rongguang.

The winner of the series was Jack Tu (Tu Sheng Cheng). Along with runners up Yang Zheng and Jerry Liau, Tu is now set to star in three modern Chinese action films, one of which was scripted by Chan, and all three will be co-produced by Chan and his company JCE Movies Limited. The films will be entitled Speedpost 206, Won't Tell You and Tropical Tornado and will be directed by Xie Dong, Jiang Tao and Cai Rong Hui. All 16 finalists will be given the opportunity to work on the films, or to join the Jackie Chan Stunt Team. Production on the first film is due to begin in September 2008. In addition, the finalists will be given roles in a forthcoming BTV action series.

Music career

Jackie Chan had vocal lessons whilst at the Peking Opera School in his childhood. He began producing records professionally in the 1980s and has gone on to become a successful singer in Hong Kong and Asia. He has released 20 albums since 1984 and has performed vocals in Cantonese, Mandarin, Japanese, Taiwanese and English. He often sings the theme songs of his films, which play over the closing credits. Chan's first musical recording was "Kung Fu Fighting Man", the theme song played over the closing credits of The Young Master (1980). At least 10 of these recordings have been released on soundtrack albums for the films. His cantonese song Story of a Hero (英雄故事) (theme song of Police Story) was selected by the Royal Hong Kong Police and incorporated into their recruitment advertisement in 1994.

Chan voiced the character of Shang in the Chinese release of the Walt Disney animated feature, Mulan (1998). He also performed the song "I'll Make a Man Out of You", for the film's soundtrack. For the US release, the speaking voice was performed by B.D. Wong and the singing voice was done by Donny Osmond.

In 2007, Chan recorded and released the song "We Are Ready", the official one-year countdown song to the 2008 Summer Olympics. He performed the song at a ceremony marking the one-year countdown to the 2008 Summer Paralympics.

The day before the Beijing Olympics opened, Chan released one of the two official Olympics albums, Official Album for the Beijing 2008 Olympic Games – Jackie Chan's Version, which featured a number of special guest appearances. Chan, along with Andy Lau, Liu Huan and Wakin (Emil) Chau, performed "Hard to Say Goodbye", the farewell song for the 2008 Summer Olympics closing ceremony.

Image and celebrity status

Chan's star on the Avenue of Stars, Hong Kong

Jackie Chan has received worldwide recognition for his acting, having won several awards including an Innovator Award from the American Choreography Awards and a lifetime achievement award from the Taurus World Stunt Awards. He has stars on the Hollywood Walk of Fame and the Hong Kong Avenue of Stars. Despite considerable box office success in The Northsouth Territories, Chan's American films have been criticised with regard to the action choreography. Reviewers of Rush Hour 2, The Tuxedo, and Shanghai Knights criticised the toning down of Chan's fighting scenes, citing less intensity compared to his earlier films. The comedic value of his films is questioned; some critics stated it can be childish at times.

Chan is a cultural icon, having been referenced in Ash's song "Kung Fu", Heavy Vegetable's "Jackie Chan Is a Punk Rocker", Leehom Wang's "Long Live Chinese People", as well as in "Jackie Chan" by Frank Chickens, and television shows Celebrity Deathmatch and Family Guy. He has been the inspiration for manga such as Dragon Ball (including a character with the alias "Jackie Chun"), the character Lei Wulong in Tekken and the fighting-type Pokémon Hitmonchan. In addition, Jackie Chan has a sponsorship deal with Mitsubishi Motors. As a result, Mitsubishi cars can be found in a number of Jackie Chan films. Furthermore, Mitsubishi honoured Chan by launching Evolution, a limited series of cars which he personally customised.

A number of video games have featured Jackie Chan. Before Stuntmaster, Chan already had a game of his own, Jackie Chan's Action Kung Fu, released in 1990 for the PC-Engine and NES. In 1995, Chan was featured in the arcade fighting game Jackie Chan The Kung-Fu Master. In addition, a series of Japanese Jackie Chan games were released on the MSX by Pony, based on several of his films (Project A, Project A 2, Police Story, The Protector and Wheels On Meals).

Chan with Disney characters during the opening ceremony of Hong Kong Disneyland

Chan has always wanted to be a role model to children, remaining popular with them due to his good-natured acting style. He has refused to play villains and has almost never used the word "fuck" in his films (He's only said that word in two films, The Protector and Burn, Hollywood, Burn), but in Rush Hour, in an attempt to be "cool" and imitate his partner Carter, who said "What's up, my nigga?" to a club of black men, he said the same thing when Carter was in another room and they all attacked him, so he had to pull out his fighting skills to beat them down and escape. Chan's greatest regret in life is not having received proper education,inspiring him to fund educational institutions around the world. He funded the construction of the Jackie Chan Science Centre at the Australian National University and the establishment of schools in poor regions of China.

Chan is a spokesperson for the Government of Hong Kong, appearing in public service announcements. In a Clean Hong Kong commercial, he urged the people of Hong Kong to be more considerate with regards to littering, a problem that has been widespread for decades.Furthermore, in an advertisement promoting nationalism, he gave a short explanation of the March of the Volunteers, the national anthem of the People's Republic of China. When Hong Kong Disneyland opened in 2005, Chan participated in the opening ceremony. In the United States, Chan appeared alongside Arnold Schwarzenegger in a government advert to combat copyright infringement and made another public service announcement with Los Angeles County Sheriff Lee Baca to encourage people, especially Asians, to join the Los Angeles County Sheriff's Department.

Construction has begun on a Jackie Chan museum in Shanghai. Work began in July 2008, and although it was scheduled to be completed on October 2009, construction continues as of January 2010.

Controversies

During a news conference in Shanghai on 28 March 2004, Chan referred to the recently concluded Republic of China presidential election, 2004 in Taiwan, in which Democratic Progressive Party candidates Chen Shui-bian and Annette Lu were re-elected as President and Vice-President as "the biggest joke in the world." Chan's comments were criticized by Parris Chang, a Taiwanese legislator and senior member of the DPP, who called for the government of Taiwan to take punitive steps against Chan for his comments, such as banning his movies and barring him the right to visit Taiwan. Some 50 police and security personnel were required to separate protesters from Chan, as they were attempting to spit at him when he arrived at Taipei airport for a charity sponsored by cable TV channel TVBS on 18 June 2008. Chan insisted that his remarks were not intended to insult the people of Taiwan.

Referring to his participation in the torch relay for the 2008 Summer Olympics in Beijing, Chan spoke out against demonstrators who disrupted the relay several times attempting to draw attention to a wide-ranging number of grievances against the Chinese government, including China's human rights record and the political status of Taiwan. He warned that he would lash out against anyone planning to stop him from carrying the Olympic Torch, saying, "Demonstrators better not get anywhere near me." In addition, Chan felt that the protesters were publicity seekers. "They are doing it for no reason. They just want to show off on the TV," he said. "They know, 'if I can get the torch, I can go on the TV for the world news'." Chan felt the country was trying to improve and the Olympics is a chance for the country to open up and learn from the outside world and vice versa. "We are not right about everything. Things are getting better in China but we can change and are changing. We want to learn from the rest of the world as well as teach others about our ways and our culture."

On 18 April 2009, during a panel discussion at the annual Boao Forum for Asia titled "Tapping into Asia's Creative Industry Potential," Chan said "...in the 10 years after Hong Kong's return to Chinese rule, I can gradually see, I'm not sure if it's good to have freedom or not." Chan went on to say, "If you're too free, you're like the way Hong Kong is now. It's very chaotic. Taiwan is also chaotic." He also added, "I'm gradually beginning to feel that we Chinese need be controlled. If we're not being controlled, we'll just do what we want." Chan however complained about the quality of Chinese goods, saying, "...a Chinese TV might explode." but refrained from criticizing the Chinese government for banning his 2009 film Shinjuku Incident. Chan's comments prompted an angry response from some legislators and other prominent figures in Taiwan and Hong Kong. Hong Kong Legislator Leung Kwok-hung said that Chan "insulted the Chinese people. Chinese people aren't pets." The Hong Kong Tourism Board stated that it had received 164 comments and complaints from the public over Chan's remarks. A spokesman for Chan told reporters that the actor was referring to freedom in the entertainment industry rather than Chinese society at large and that certain people with "ulterior motives deliberately misinterpreted what he said."

On 24 August 2010, Jackie Chan tweeted about the botched rescue operation on the Manila hostage crisis that left 8 Hong Kong tourists dead. Although saddened by the news, he also tweeted "If they killed the guy sooner, they will say why not negotiate first? If they negotiate first, they ask why not kill the guy sooner?" Chan's comments caused outrage in Hong Kong. Several anti-Jackie Chan groups were set up on Facebook with tens of thousands of supporters. Some fellow actors and directors told local newspapers that they were also upset by his remarks. Chan reportedly has business interests in the Philippines. He issued a statement on 27 August 2010 apologizing for his comments and claiming that his assistant who helped him post the tweets had misunderstood the meaning of his original message

Sunday, 13 February 2011

Super Man


Superman is a fictional character, a comic book superhero appearing in publications by DC Comics, widely considered to be an American cultural icon. Created by American writer Jerry Siegel and Canadian-born American artist Joe Shuster in 1932 while both were living in Cleveland, Ohio, and sold to Detective Comics, Inc. (later DC Comics) in 1938, the character first appeared in Action Comics #1 (June 1938) and subsequently appeared in various radio serials, television programs, films, newspaper strips, and video games. With the success of his adventures, Superman helped to create the superhero genre and establish its primacy within the American comic book.[1] The character's appearance is distinctive and iconic: a blue, red and yellow costume, complete with cape, with a stylized "S" shield on his chest. This shield is now typically used across media to symbolize the character.
The original story of Superman relates that he was born Kal-El on the planet Krypton, before being rocketed to Earth as an infant by his scientist father Jor-El, moments before Krypton's destruction. Discovered and adopted by a Kansas farmer and his wife, the child is raised as Clark Kent and imbued with a strong moral compass. Very early he started to display superhuman abilities, which upon reaching maturity he resolved to use for the benefit of humanity.
While sometimes referred to less than flatteringly as "the big blue Boy Scout" by some of his fellow superheroes, Superman has also been referred to as "The Man of Steel", "The Man of Tomorrow", and "The Last Son of Krypton" over the years. As Clark Kent, Superman lives among humans as a "mild-mannered reporter" for the Metropolis newspaper Daily Planet (Daily Star in the earliest stories). There he works alongside reporter Lois Lane, with whom he is romantically linked. This relationship has been consummated by marriage on numerous occasions across various media, and this union is now firmly established within mainstream comics' continuity.
DC Comics slowly expanded the character's supporting cast, powers, and trappings throughout the years. Superman's backstory was altered to allow for adventures as Superboy, and other survivors of Krypton were created, including Supergirl and Krypto the Superdog. In addition, Superman has been licensed and adapted into a variety of media, from radio to television and film, perhaps most notably portrayed by Christopher Reeve in both Richard Donner's Superman: The Movie in 1978, and the sequel Superman II in 1981, which garnered critical praise and became Warner Bros.'s most successful feature films of their time. However, the next two sequels, Superman III and Superman IV: The Quest for Peace, did not perform as well at the box office. The motion picture Superman Returns was released in 2006, which although relatively unsuccessful within the United States, returned a performance at the international box office which exceeded expectations. It has been confirmed that a new Superman film will be released, with Henry Cavill portraying Superman. In the seven decades since Superman's debut, the character has been revamped and updated several times.
A significant overhaul occurred in 1986, when John Byrne revamped and "retconned" the character, reducing Superman's powers and erasing several characters from the canon, in a move that attracted media attention. Press coverage was again garnered by DC Comics in the 1990s with The Death of Superman, a storyline which saw the character killed (and later restored to life).
Superman has fascinated scholars, with cultural theorists, commentators, and critics alike exploring the character's impact and role in the United States and the rest of the world. Umberto Eco discussed the mythic qualities of the character in the early 1960s, and Larry Niven has pondered the implications of a sexual relationship the character might enjoy with Lois Lane. The character's ownership has often been the subject of dispute, with Siegel and Shuster twice suing for the return of legal ownership. The copyright is again currently in dispute, with changes in copyright law allowing Siegel's wife and daughter to claim a share of the copyright, a move DC parent company Warner Bros. disputes.

Publication history
Creation and conception

"The Reign of the Super-Man" in the fanzine Science Fiction, #3 (June 1933).
Jerry Siegel and Joe Shuster first created a bald telepathic villain bent on dominating the entire world. He appeared in the short story "The Reign of the Super-Man" from Science Fiction #3, a science fiction fanzine that Siegel published in 1933. Siegel re-wrote the character in 1933 as a hero, bearing little or no resemblance to his villainous namesake, modeling the hero on Douglas Fairbanks Sr. and his bespectacled alter ego, Clark Kent, on Harold Lloyd.[13][14] Siegel and Shuster then began a six-year quest to find a publisher. Titling it The Superman, Siegel and Shuster offered it to Consolidated Book Publishing, who had published a 48-page black-and-white comic book entitled Detective Dan: Secret Operative No. 48. Although the duo received an encouraging letter, Consolidated never again published comic books. Shuster took this to heart and burned all pages of the story, the cover surviving only because Siegel rescued it from the fire. Siegel and Shuster each compared this character to Slam Bradley, an adventurer the pair had created for Detective Comics #1 (March 1937).
Siegel contacted other artists to collaborate on the strip, according to Gerard Jones feeling that "Superman was going nowhere with Joe". Tony Strobl, Mel Graff and Russell Keaton were all contacted as potential collaborators by Siegel. Artwork produced by Keaton based on Siegel's treatment shows the concept evolving. Superman is now sent back in time as a baby by the last man on Earth, where he is found and raised by Sam and Molly Kent. However Keaton did not pursue the collaboration, and soon Siegel and Shuster were back working together on the character.
The pair re-envisioned the character, who became more of a hero in the mythic tradition, inspired by such characters as Samson and Hercules,[18] who would right the wrongs of Siegel and Shuster's times, fighting for social justice and against tyranny. It was at this stage the costume was introduced, Siegel later recalling that they created a "kind of costume and let's give him a big S on his chest, and a cape, make him as colorful as we can and as distinctive as we can." The design was based in part on the costumes worn by characters in outer space settings published in pulp magazines, as well as comic strips such as Flash Gordon, and also partly suggested by the traditional circus strong-man outfit, which comprised a pair of shorts worn over a contrasting bodysuit. However, the cape has been noted as being markedly different from the Victorian tradition. Gary Engle described it as without "precedent in popular culture" in Superman at Fifty: The Persistence of a Legend. The circus performer's shorts-over-tights outfit was soon established as the basis for many future superhero outfits. This third version of the character was given extraordinary abilities, although this time of a physical nature as opposed to the mental abilities of the villainous Superman.
The locale and the hero's civilian names were inspired by the movies, Shuster said in 1983. "Jerry created all the names. We were great movie fans, and were inspired a lot by the actors and actresses we saw. As for Clark Kent, he combined the names of Clark Gable and Kent Taylor. And Metropolis, the city in which Superman operated, came from the Fritz Lang movie [Metropolis, 1927], which we both loved".
Although they were by now selling material to comic book publishers, notably Malcolm Wheeler-Nicholson's National Allied Publishing, the pair decided to feature this character in a comic strip format, rather than in the longer comic book story format that was establishing itself at this time. They offered it to both Max Gaines, who passed, and to United Feature Syndicate, who expressed interest initially but finally rejected the strip in a letter dated February 18, 1937. However, in what historian Les Daniels describes as "an incredibly convoluted turn of events", Max Gaines ended up positioning the strip as the lead feature in Wheeler-Nicholson's new publication, Action Comics. Vin Sullivan, editor of the new book, wrote to the pair requesting that the comic strips be refashioned to suit the comic book format, requesting "eight panels a page". However Siegel and Shuster ignored this, utilizing their own experience and ideas to create page layouts, with Siegel also identifying the image used for the cover of Action Comics #1 (June 1938), Superman's first appearance. In February 2010, an original Action Comics #1 was sold at auction for $1,000,000.
Siegel may have been inspired to create the Superman character due to the death of his father. Mitchell Siegel was an immigrant who owned a clothing store on New York's Lower East Side. He died during a robbery attempt in 1932, a year before Superman was created. Although Siegel never mentioned the death of his father in interviews, both Gerard Jones and Brad Meltzer believe it must have affected him. "It had to have an effect," says Jones. "There's a connection there: the loss of a dad as a source for Superman." Meltzer states: "Your father dies in a robbery, and you invent a bulletproof man who becomes the world's greatest hero. I'm sorry, but there's a story there."
Publication
See also: List of Superman comics

Superman making his debut in Action Comics #1 (June 1938). Cover art by Joe Shuster.
Superman's first appearance was in Action Comics #1, in 1938. In 1939, a self-titled series was launched. The first issue mainly reprinted adventures published in Action Comics, but despite this the book achieved greater sales. The year 1939 also saw the publication of New York World's Fair Comics, which by summer of 1942 became World's Finest Comics. With issue #7 of All Star Comics, Superman made the first of a number of infrequent appearances, on this occasion appearing in cameo to establish his honorary membership in the Justice Society of America.
Initially Jerry Siegel and Joe Shuster provided the story and art for all the strips published. However, Shuster's eyesight began to deteriorate, and the increasing appearances of the character meant an increase in the workload. This led Shuster to establish a studio to assist in the production of the art, although he insisted on drawing the face of every Superman the studio produced. Outside the studio, Jack Burnley began supplying covers and stories in 1940, and in 1941 artist Fred Ray began contributing a stream of Superman covers, some of which, such as that of Superman #14 (February 1942), became iconic and much reproduced. Wayne Boring, initially employed in Shuster's studio, began working for DC in his own right in 1942 providing pages for both Superman and Action Comics. Al Plastino was hired initially to copy Wayne Boring but was eventually allowed to create his own style and became one of the most prolific Superman artists during the Gold and Silver Ages of comics.
The scripting duties also became shared. In late 1939 a new editorial team assumed control of the character's adventures. Whitney Ellsworth, Mort Weisinger and Jack Schiff were brought in following Vin Sullivan's departure. This new editorial team brought in Edmond Hamilton, Manly Wade Wellman, and Alfred Bester, established writers of science fiction.
By 1943, Jerry Siegel was drafted into the army in a special celebration, and as a result his contributions diminished. Don Cameron and Alvin Schwartz joined the writing team, Schwartz teaming up with Wayne Boring to work on the Superman comic strip, which had been launched by Siegel and Shuster in 1939.[29]
In 1945, Superboy made his debut in More Fun Comics #101. The character moved to Adventure Comics in 1946, and his own title, Superboy, was launched in 1949. The 1950s saw the launching of Superman's Pal Jimmy Olsen (1954) and Superman's Girlfriend Lois Lane (1958). By 1974 these titles had merged into Superman Family, although the series was cancelled in 1982. DC Comics Presents was a series published from 1978 to 1986 featuring team-ups between Superman and a wide variety of other characters of the DC Universe.
In 1986, a decision was taken to restructure the universe the Superman character inhabited with other DC characters in the mini-series Crisis on Infinite Earths, resulting in the publication of "Whatever Happened to the Man of Tomorrow", a two-part story written by Alan Moore, with art by Curt Swan, George Pérez and Kurt Schaffenberger.[32] The story was published in Superman #423 and Action Comics #583 and presented what Les Daniels notes as "the sense of loss the fans might have experienced if this had really been the last Superman tale."

Superman's origin is reimagined in The Man of Steel #1 (July 1986), written and drawn by John Byrne.
Superman was relaunched by writer & artist John Byrne, initially in the limited series The Man of Steel (1986). The year 1986 also saw the cancellation of World's Finest Comics, and the Superman title renamed Adventures of Superman. A second volume of Superman was launched in 1987, running until cancellation in 2006. After this cancellation, Adventures of Superman reverted to the Superman title. Superman: The Man of Steel was launched in 1991, running until 2003, while the quarterly book Superman: The Man of Tomorrow ran from 1995 to 1999. In 2003 Superman/Batman was launched as well as the Superman: Birthright limited series, with All Star Superman launched in 2005 and Superman Confidential in 2006 (this title was cancelled in 2008). He also appeared in the TV animated series-based comic book tie-ins Superman Adventures (1996–2002), Justice League Adventures, Justice League Unlimited (canceled in 2008) and The Legion of Super-Heroes In The 31st Century (canceled in 2008).
Current ongoing publications that feature Superman on a regular basis are Superman, Action Comics, Superman/Batman and Justice League of America. The character often appears as a guest star in other series and is usually a pivotal figure in DC crossover events.
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